Kamis, 24 Februari 2011

[F564.Ebook] Fee Download Electricity One-Seven (Second Edition), by Mileaf

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Electricity One-Seven (Second Edition), by Mileaf

Appropriate for very low level DC/AC courses and some survey courses which cover DC/AC and motors.Logically organized to fit the learning process, this text combines a series of volumes designed specifically to teach electricity. From producing electricity to electromagnetism, from power sources to dynamotors, each volume offers complete coverage of a given area of knowledge, with topics progressing in carefully constructed, incremental steps designed to fully prepare students for the volume ahead.

  • Sales Rank: #1402877 in Books
  • Brand: Prentice Hall
  • Published on: 1996
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.92" h x 6.24" w x 9.30" l, 2.90 pounds
  • Binding: Hardcover
  • 1024 pages
Features
  • Used Book in Good Condition

From the Back Cover
An excellent review source, this logically organized book combines a series of volumes designed specifically to teach electricity. From producing electricity to electromagnetism, from power sources to dynamotors, each volume offers complete coverage of a given area of knowledge, with topics progressing in carefully constructed, incremental steps designed to fully prepare users for the volume ahead.Presents thorough studies on producing electricity, D-C circuits, A-C circuits, LCR circuits, test equipment, power sources, and electric motors. Examines only one discrete topic or concept per page, and provides an illustration on each page that graphically depicts, complements, and reinforces the topic being covered. Defines technical terms at their point of introduction, reiterates major points covered in prior topics to aid retention, and summarizes facts at the end of each section.For electricians and electrical engineers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By jesse
great book. I like it.

8 of 8 people found the following review helpful.
Jake Conner
By Jared Jaeger
I first found this book in a dumpster behind a school. I was 6 years old and read this book. Many of the concepts were easy enough to understand as a youngster. I will never forget the concept of 3phase electricity that I grasped from that book. Thanks to this book I have put instrumentation on the International Space Station and work with Femtosecond laser systems.
Thank you Harry Mileaf! Well done.

14 of 15 people found the following review helpful.
My all time favorite basic electricity book.
By A Customer
I'm a power plant operator. I've had to take basic electricity courses for job promotions, (after taking a written test). This is the only book written (that my co-workers and I have had to study) that you can learn from on your own. The other books seemed to be written for a classroom setting, with an instructor.

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Selasa, 22 Februari 2011

[D877.Ebook] Get Free Ebook The Developing Human: Clinically Oriented Embryology, 8th Edition, by Keith L. Moore, T. V. N. Persaud

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The Developing Human: Clinically Oriented Embryology, 8th Edition, by Keith L. Moore, T. V. N. Persaud



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The Developing Human: Clinically Oriented Embryology, 8th Edition, by Keith L. Moore, T. V. N. Persaud

This popular text makes it surprisingly easy to gain an in-depth understanding of human embryology. Engaging and richly illustrated, it examines all aspects of human development, emphasizing both basic concepts and relevant clinical problems. The book presents a week-by-week and stage-by-stage view of how fetal organs and systems develop, why and when birth defects occur, and what roles the placenta and fetal membranes play in development. The comprehensively updated 8th edition comes with access to the complete contents online via Student Consult, plus 18 phenomenal embryology animations, additional review questions and answers, and more.

  • Editor Keith L. Moore, BA, MSc, PhD, FIAC, FRSM is the recipient of the first (2007) "Henry Gray/Elsevier Distinguished Educator Award"―the American Association of Anatomists' highest award for excellence in human anatomy education at the medical/dental, graduate, and undergraduate level of teaching―a testament to his masterful teaching abilities, which help make this book such an effective tool for learning the complex subject of human embryology.
  • Comprehensive, richly illustrated, and clinically oriented coverage equips you with a detailed grasp of human embryology.
  • More than 1,800 crisp illustrations and up-to-date clinical photos bring the material to life.
  • Review questions and answers at the end of each chapter test your knowledge and help you prepare for exams.
  • Sweeping updates reflect all of the latest advances, including IVF, cloning, and genes in human development.
  • Purchase of this Student Consult title includes access to the full contents online at www.studentconsult.com―as well as 18 remarkable, specially developed animations that bring embryological development to life, and hundreds of additional support questions and answers to test your mastery of the material.
  • New contributors provide fresh perspectives on the latest knowledge.
  • A new, more user-friendly, full-color format makes it easier than ever to master key embryology concepts.

  • Sales Rank: #101809 in Books
  • Brand: Brand: Saunders
  • Published on: 2007-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 8.62" w x 11.02" l, 2.15 pounds
  • Binding: Paperback
  • 536 pages
Features
  • Used Book in Good Condition

Review
"...packed with excellent and colourful pictures of explaining how the various structures develop and change with time...Basically this is a good choice for someone who likes embryology and wants to get a good mark, not just a pass." Medical Student, University of Nottingham, UK (review of previous edition)

BMA Book Awards 2008 - Highly Commended

"An up-to-date textbook on embryology for medical students with a relevance far beyond that. There is abundant illustration of the text and extensive clinical correlation. An extremely accessible book that has a lot more clinical correlation than its previous editions. It’s a pleasure to use."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good explanations but needs better pictures
By Angela
Awesome book, it explains everything in a simple manner. It doesn't have real life pictures but it shows the development day by day in a chart.

0 of 0 people found the following review helpful.
Perfectly accompanies your embryology course
By DharmaGrrl365
This book is a cheap and efficient accessory book to my vertebrate embryology class. It was recommended by our TA and I'm so glad I bought it!

0 of 0 people found the following review helpful.
Embryology
By gerald fischer
Overall a good book. Wish it had more about the first six weeks of human development. It has good illustrations and photos of the developing fetus.

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Senin, 21 Februari 2011

[X598.Ebook] Ebook City of Lost Souls (The Mortal Instruments), by Cassandra Clare

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City of Lost Souls (The Mortal Instruments), by Cassandra Clare

What price is too high to pay, even for love? Plunge into fifth installment the internationally bestselling Mortal Instruments series and “prepare to be hooked” (Entertainment Weekly).

The New York Times bestselling Mortal Instruments continues—and so do the thrills and danger for Jace, Clary, and Simon.

What price is too high to pay, even for love? When Jace and Clary meet again, Clary is horrified to discover that the demon Lilith’s magic has bound her beloved Jace together with her evil brother Sebastian, and that Jace has become a servant of evil. The Clave is out to destroy Sebastian, but there is no way to harm one boy without destroying the other. As Alec, Magnus, Simon, and Isabelle wheedle and bargain with Seelies, demons, and the merciless Iron Sisters to try to save Jace, Clary plays a dangerous game of her own. The price of losing is not just her own life, but Jace’s soul. She’s willing to do anything for Jace, but can she still trust him? Or is he truly lost?

Love. Blood. Betrayal. Revenge. Darkness threatens to claim the Shadowhunters in the harrowing fifth book of the Mortal Instruments series.

  • Sales Rank: #42758 in Books
  • Brand: Margaret K. McElderry Books
  • Published on: 2012-05-08
  • Released on: 2012-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.80" w x 6.00" l, 1.50 pounds
  • Binding: Hardcover
  • 544 pages
Features
  • fantasy
  • horror

Review
* "If a cliff-hanger can be considered satisfying, then this book delivers."--VOYA, *STARRED

"The action once again climaxes in a tense, lush battle sequence just waiting for digital cinematic treatment. . . . [A] goth-and-glitter pleasure."--Kirkus Reviews

"The Mortal Instruments series features a rare marriage of extremely intricate, fast-paced plotting with ample digressions into the emotional lives of characters we’ve come to care about deeply. . . . With a movie in the works, this is an excellent time for new readers to jump on board one of the most enjoyable series in YA. Smart, fun, and epic, these books are addictive for all the right reasons."--Locus (Gwenda Bond)

About the Author
Cassandra Clare is the #1 New York Times and USA TODAY bestselling author of Lord of Shadows and Lady Midnight, as well as the internationally bestselling Mortal Instruments series and Infernal Devices trilogy. She is the coauthor of The Bane Chronicles with Sarah Rees Brennan and Maureen Johnson and Tales from the Shadowhunter Academy with Sarah Rees Brennan, Maureen Johnson, and Robin Wasserman, as well as The Shadowhunter’s Codex, which she cowrote with her husband, Joshua Lewis. Her books have more than 50 million copies in print worldwide and have been translated into more than thirty-five languages, a feature film, and a TV show, Shadowhunters, currently airing on Freeform. Cassandra lives in western Massachusetts. Visit her at CassandraClare.com. Learn more about the world of the Shadowhunters at Shadowhunters.com.

Excerpt. © Reprinted by permission. All rights reserved.
City of Lost Souls 1
THE LAST COUNCIL
“How much longer will the verdict take, do you think?” Clary asked. She had no idea how long they’d been waiting, but it felt like ten hours. There were no clocks in Isabelle’s black and hot-pink powder-puff bedroom, just piles of clothes, heaps of books, stacks of weapons, a vanity overflowing with sparkling makeup, used brushes, and open drawers spilling lacy slips, sheer tights, and feather boas. It had a certain backstage-at-La-Cage-aux-Folles design aesthetic, but over the past two weeks Clary had spent enough time among the glittering mess to have begun to find it comforting.

Isabelle, standing over by the window with Church in her arms, stroked the cat’s head absently. Church regarded her with baleful yellow eyes. Outside the window a November storm was in full bloom, rain streaking the windows like clear paint. “Not much longer,” she said slowly. “Five minutes, probably.”

Clary, sitting on Izzy’s bed between a pile of magazines and a rattling stack of seraph blades, swallowed hard against the bitter taste in her throat. I’ll be back. Five minutes.

That had been the last thing she had said to the boy she loved more than anything else in the world. Now she thought it might be the last thing she would ever get to say to him.

Clary remembered the moment perfectly. The roof garden. The crystalline October night, the stars burning icy white against a cloudless black sky. The paving stones smeared with black runes, spattered with ichor and blood. Jace’s mouth on hers, the only warm thing in a shivering world. Clasping the Morgenstern ring around her neck. The love that moves the sun and all the other stars. Turning to look for him as the elevator took her away, sucking her back down into the shadows of the building. She had joined the others in the lobby, hugging her mother, Luke, Simon, but some part of her, as it always was, had still been with Jace, floating above the city on that rooftop, the two of them alone in the cold and brilliant electric city.

Maryse and Kadir had been the ones to get into the elevator to join Jace on the roof and to see the remains of Lilith’s ritual. It was another ten minutes before Maryse returned, alone. When the doors had opened and Clary had seen her face—white and set and frantic—she had known.

What had happened next had been like a dream. The crowd of Shadowhunters in the lobby had surged toward Maryse; Alec had broken away from Magnus, and Isabelle had leaped to her feet. White bursts of light cut through the darkness like the soft explosions of camera flashes at a crime scene as, one after another, seraph blades lit the shadows. Pushing her way forward, Clary heard the story in broken pieces—the rooftop garden was empty; Jace was gone. The glass coffin that had held Sebastian had been smashed open; glass was lying everywhere in fragments. Blood, still fresh, dripped down the pedestal on which the coffin had sat.

The Shadowhunters were making plans quickly, to spread out in a radius and search the area around the building. Magnus was there, his hands sparking blue, turning to Clary to ask if she had something of Jace’s they could track him with. Numbly, she gave him the Morgenstern ring and retreated into a corner to call Simon. She had only just closed the phone when the voice of a Shadowhunter rang out above the rest. “Tracking? That’ll work only if he’s still alive. With that much blood it’s not very likely—”

Somehow that was the last straw. Prolonged hypothermia, exhaustion, and shock took their toll, and she felt her knees give. Her mother caught her before she hit the ground. There was a dark blur after that. She woke up the next morning in her bed at Luke’s, sitting bolt upright with her heart going like a trip-hammer, sure she had had a nightmare.

As she struggled out of bed, the fading bruises on her arms and legs told a different story, as did the absence of her ring. Throwing on jeans and a hoodie, she staggered out into the living room to find Jocelyn, Luke, and Simon seated there with somber expressions on their faces. She didn’t even need to ask, but she did anyway: “Did they find him? Is he back?”

Jocelyn stood up. “Sweetheart, he’s still missing—”

“But not dead? They haven’t found a body?” She collapsed onto the couch next to Simon. “No—he’s not dead. I’d know.”

She remembered Simon holding her hand while Luke told her what they did know: that Jace was still gone, and so was Sebastian. The bad news was that the blood on the pedestal had been identified as Jace’s. The good news was that there was less of it than they had thought; it had mixed with the water from the coffin to give the impression of a greater volume of blood than there had really been. They now thought it was quite possible he had survived whatever had happened.

“But what happened?” she demanded.

Luke shook his head, blue eyes somber. “Nobody knows, Clary.”

Her veins felt as if her blood had been replaced with ice water. “I want to help. I want to do something. I don’t want to just sit here while Jace is missing.”

“I wouldn’t worry about that,” Jocelyn said grimly. “The Clave wants to see you.”

Invisible ice cracked in Clary’s joints and tendons as she stood up. “Fine. Whatever. I’ll tell them anything they want if they’ll find Jace.”

“You’ll tell them anything they want because they have the Mortal Sword.” There was despair in Jocelyn’s voice. “Oh, baby. I’m so sorry.”

And now, after two weeks of repetitive testimony, after scores of witnesses had been called, after she had held the Mortal Sword a dozen times, Clary sat in Isabelle’s bedroom and waited for the Council to rule on her fate. She couldn’t help but remember what it had felt like to hold the Mortal Sword. It was like tiny fishhooks embedded in your skin, pulling the truth out of you. She had knelt, holding it, in the circle of the Speaking Stars and had heard her own voice telling the Council everything: how Valentine had raised the Angel Raziel, and how she had taken the power of controlling the Angel from him by erasing his name in the sand and writing hers over it. She had told them how the Angel had offered her one wish, and she had used it to raise Jace from the dead; she told them how Lilith had possessed Jace and Lilith had planned to use Simon’s blood to resurrect Sebastian, Clary’s brother, whom Lilith regarded as a son. How Simon’s Mark of Cain had ended Lilith, and they had thought Sebastian had been ended too, no longer a threat.

Clary sighed and flipped her phone open to check the time. “They’ve been in there for an hour,” she said. “Is that normal? Is it a bad sign?”

Isabelle dropped Church, who let out a yowl. She came over to the bed and sat down beside Clary. Isabelle looked even more slender than usual—like Clary, she’d lost weight in the past two weeks—but elegant as always, in black cigarette pants and a fitted gray velvet top. Mascara was smudged all around Izzy’s eyes, which should have made her look like a raccoon but just made her look like a French film star instead. She stretched her arms out, and her electrum bracelets with their rune charms jingled musically. “No, it’s not a bad sign,” she said. “It just means they have a lot to talk over.” She twisted the Lightwood ring on her finger. “You’ll be fine. You didn’t break the Law. That’s the important thing.”

Clary sighed. Even the warmth of Isabelle’s shoulder next to hers couldn’t melt the ice in her veins. She knew that technically she had broken no Laws, but she also knew the Clave was furious at her. It was illegal for a Shadowhunter to raise the dead, but not for the Angel to do it; nevertheless it was such an enormous thing she had done in asking for Jace’s life back that she and Jace had agreed to tell no one about it.

Now it was out, and it had rocked the Clave. Clary knew they wanted to punish her, if only because her choice had had such disastrous consequences. In some way she wished they would punish her. Break her bones, pull her fingernails out, let the Silent Brothers root through her brain with their bladed thoughts. A sort of devil’s bargain—her own pain for Jace’s safe return. It would have helped her guilt over having left Jace behind on that rooftop, even though Isabelle and the others had told her a hundred times she was being ridiculous—that they had all thought he was perfectly safe there, and that if Clary had stayed, she would probably now be missing too.

“Quit it,” Isabelle said. For a moment Clary wasn’t sure if Isabelle was talking to her or to the cat. Church was doing what he often did when dropped—lying on his back with all four legs in the air, pretending to be dead in order to induce guilt in his owners. But then Isabelle swept her black hair aside, glaring, and Clary realized she was the one being told off, not the cat.

“Quit what?”

“Morbidly thinking about all the horrible things that are going to happen to you, or that you wish would happen to you because you’re alive and Jace is… missing.” Isabelle’s voice jumped, like a record skipping a groove. She never spoke of Jace as being dead or even gone—she and Alec refused to entertain the possibility. And Isabelle had never reproached Clary once for keeping such an enormous secret. Throughout everything, in fact, Isabelle had been her staunchest defender. Meeting her every day at the door to the Council Hall, she had held Clary firmly by the arm as she’d marched her past clumps of glaring, muttering Shadowhunters. She had waited through endless Council interrogations, shooting dagger glances at anyone who dared look at Clary sideways. Clary had been astonished. She and Isabelle had never been enormously close, both of them being the sort of girls who were more comfortable with boys than other female companionship. But Isabelle didn’t leave her side. Clary was as bewildered as she was grateful.

“I can’t help it,” Clary said. “If I were allowed to patrol—if I were allowed to do anything—I think it wouldn’t be so bad.”

“I don’t know.” Isabelle sounded weary. For the past two weeks she and Alec had been exhausted and gray-faced from sixteen-hour patrols and searches. When Clary had found out she was banned from patrolling or searching for Jace in any way until the Council decided what to do about the fact that she had brought him back from the dead, she had kicked a hole in her bedroom door. “Sometimes it feels so futile,” Isabelle added.

Ice crackled up and down Clary’s bones. “You mean you think he’s dead?”

“No, I don’t. I mean I think there’s no way they’re still in New York.”

“But they’re patrolling in other cities, right?” Clary put a hand to her throat, forgetting that the Morgenstern ring no longer hung there. Magnus was still trying to track Jace, though no tracking had yet worked.

“Of course they are.” Isabelle reached out curiously and touched the delicate silver bell that hung around Clary’s neck now, in place of the ring. “What’s that?”

Clary hesitated. The bell had been a gift from the Seelie Queen. No, that wasn’t quite right. The Queen of the faeries didn’t give gifts. The bell was meant to signal the Seelie Queen that Clary wanted her help. Clary had found her hand wandering to it more and more often as the days dragged on with no sign of Jace. The only thing that stopped Clary was the knowledge that the Seelie Queen never gave anything without the expectation of something terrible in return.

Before Clary could reply to Isabelle, the door opened. Both girls sat up ramrod straight, Clary clutching one of Izzy’s pink pillows so hard that the rhinestones on it dug into the skin of her palms.

“Hey.” A slim figure stepped into the room and shut the door. Alec, Isabelle’s older brother, was dressed in Council wear—a black robe figured with silver runes, open now over jeans and a long-sleeved black T-shirt. All the black made his pale skin look paler, his crystal-blue eyes bluer. His hair was black and straight like his sister’s, but shorter, cut just above his jawline. His mouth was set in a thin line.

Clary’s heart started to pound. Alec didn’t look happy. Whatever the news was, it couldn’t be good.

It was Isabelle who spoke. “How did it go?” she said quietly. “What’s the verdict?”

Alec sat down at the vanity table, swinging himself around the chair to face Izzy and Clary over the back. At another time it would have been comical—Alec was very tall, with long legs like a dancer, and the way he folded himself awkwardly around the chair made it look like dollhouse furniture.

“Clary,” he said. “Jia Penhallow handed down the verdict. You’re cleared of any wrongdoing. You broke no Laws, and Jia feels that you’ve been punished enough.”

Isabelle exhaled an audible breath and smiled. For just a moment a feeling of relief broke through the layer of ice over all of Clary’s emotions. She wasn’t going to be punished, locked up in the Silent City, trapped somewhere where she couldn’t help Jace. Luke, who as the representative of the werewolves on the Council had been present for the verdict, had promised to call Jocelyn as soon as the meeting ended, but Clary reached for her phone anyway; the prospect of giving her mother good news for a change was too tempting.

“Clary,” Alec said as she flipped her phone open. “Wait.”

She looked at him. His expression was still as serious as an undertaker’s. With a sudden sense of foreboding, Clary put her phone back down on the bed. “Alec—what is it?”

“It wasn’t your verdict that took the Council so long,” said Alec. “There was another matter under discussion.”

The ice was back. Clary shivered. “Jace?”

“Not exactly.” Alec leaned forward, folding his hands along the back of the chair. “A report came in early this morning from the Moscow Institute. The wardings over Wrangel Island were smashed through yesterday. They’ve sent a repair team, but having such important wards down for so long—that’s a Council priority.”

Wards—which served, as Clary understood it, as a sort of magical fence system—surrounded Earth, put there by the first generation of Shadowhunters. They could be bypassed by demons but not easily, and kept out the vast majority of them, preventing the world from being flooded by a massive demon invasion. She remembered something that Jace had said to her, what felt like years ago: There used to be only small demon invasions into this world, easily contained. But even in my lifetime more and more of them have spilled in through the wardings.

“Well, that’s bad,” Clary said. “But I don’t see what it has to do with—”

“The Clave has its priorities,” Alec interrupted. “Searching for Jace and Sebastian has been top priority for the past two weeks. But they’ve scoured everything, and there’s no sign of either of them in any Downworld haunt. None of Magnus’s tracking spells have worked. Elodie, the woman who brought up the real Sebastian Verlac, confirmed that no one’s tried to get in touch with her. That was a long shot, anyway. No spies have reported any unusual activity among the known members of Valentine’s old Circle. And the Silent Brothers haven’t been able to figure out exactly what the ritual Lilith performed was supposed to do, or whether it succeeded. The general consensus is that Sebastian—of course, they call him Jonathan when they talk about him—kidnapped Jace, but that’s not anything we didn’t know.”

“So?” Isabelle said. “What does that mean? More searching? More patrolling?”

Alec shook his head. “They’re not discussing expanding the search,” he said quietly. “They’re de-prioritizing it. It’s been two weeks and they haven’t found anything. The specially commissioned groups brought over from Idris are going to be sent home. The situation with the wards is taking priority now. Not to mention that the Council has been in the middle of delicate negotiations, updating the Laws to allow for the new makeup of the Council, appointing a new Consul and Inquisitor, determining different treatment of Downworlders—they don’t want to be thrown completely off track.”

Clary stared. “They don’t want Jace’s disappearance to throw them off the track of changing a bunch of stupid old Laws? They’re giving up?”

“They’re not giving up—”

“Alec,” Isabelle said sharply.

Alec took a breath and put his hands up to cover his face. He had long fingers, like Jace’s, scarred like Jace’s were as well. The eye Mark of the Shadowhunters decorated the back of his right hand. “Clary, for you—for us—this has always been about searching for Jace. For the Clave it’s about searching for Sebastian. Jace as well, but primarily Sebastian. He’s the danger. He destroyed the wards of Alicante. He’s a mass murderer. Jace is…”

“Just another Shadowhunter,” said Isabelle. “We die and go missing all the time.”

“He gets a little extra for being a hero of the Mortal War,” said Alec. “But in the end the Clave was clear: The search will be kept up, but right now it’s a waiting game. They expect Sebastian to make the next move. In the meantime it’s third priority for the Clave. If that. They expect us to go back to normal life.”

Normal life? Clary couldn’t believe it. A normal life without Jace?

“That’s what they told us after Max died,” said Izzy, her black eyes tearless but burning with anger. “That we’d get over our grief faster if we just went back to normal life.”

“It’s supposed to be good advice,” said Alec from behind his fingers.

“Tell that to Dad. Did he even come back from Idris for the meeting?”

Alec shook his head, dropping his hands. “No. If it’s any consolation, there were a lot of people at the meeting speaking out angrily on behalf of keeping the search for Jace up at full strength. Magnus, obviously, Luke, Consul Penhallow, even Brother Zachariah. But at the end of the day it wasn’t enough.”

Clary looked at him steadily. “Alec,” she said. “Don’t you feel anything?”

Alec’s eyes widened, their blue darkening, and for a moment Clary remembered the boy who had hated her when she’d first arrived at the Institute, the boy with bitten nails and holes in his sweaters and a chip on his shoulder that had seemed immovable. “I know you’re upset, Clary,” he said, his voice sharp, “but if you’re suggesting that Iz and I care less about Jace than you do—”

“I’m not,” Clary said. “I’m talking about your parabatai connection. I was reading about the ceremony in the Codex. I know being parabatai ties the two of you together. You can sense things about Jace. Things that will help you when you’re fighting. So I guess I mean… can you sense if he’s still alive?”

“Clary.” Isabelle sounded worried. “I thought you didn’t…”

“He’s alive,” Alec said cautiously. “You think I’d be this functional if he weren’t alive? There’s definitely something fundamentally wrong. I can feel that much. But he’s still breathing.”

“Could the ‘wrong’ thing be that he’s being held prisoner?” said Clary in a small voice.

Alec looked toward the windows, the sheeting gray rain. “Maybe. I can’t explain it. I’ve never felt anything like it before.”

“But he’s alive.”

Alec looked at her directly then. “I’m sure of it.”

“Then screw the Council. We’ll find him ourselves,” Clary said.

“Clary… if that were possible… don’t you think we already would have—,” Alec began.

“We were doing what the Clave wanted us to do before,” said Isabelle. “Patrols, searches. There are other ways.”

“Ways that break the Law, you mean,” said Alec. He sounded hesitant. Clary hoped he wasn’t going to repeat the Shadowhunters’ motto when it came to the Law: Sed lex, dura lex. “The Law is harsh, but it is the Law.” She didn’t think she could take it.

“The Seelie Queen offered me a favor,” Clary said. “At the fireworks party in Idris.” The memory of that night, how happy she’d been, made her heart contract for a moment, and she had to stop and regain her breath. “And a way to contact her.”

“The Queen of the Fair Folk gives nothing for free.”

“I know that. I’ll take whatever debt it is on my shoulders.” Clary remembered the words of the faerie girl who had handed her the bell. You would do anything to save him, whatever it cost you, whatever you might owe to Hell or Heaven, would you not? “I just want one of you to come with me. I’m not good with translating faerie-speak. At least if you’re with me you can limit whatever the damage is. But if there’s anything she can do—”

“I’ll go with you,” Isabelle said immediately.

Alec looked at his sister darkly. “We already talked to the Fair Folk. The Council questioned them extensively. And they can’t lie.”

“The Council asked them if they knew where Jace and Sebastian were,” Clary said. “Not if they’d be willing to look for them. The Seelie Queen knew about my father, knew about the angel he summoned and trapped, knew the truth about my blood and Jace’s. I think there’s not much that happens in this world that she doesn’t know about.”

“It’s true,” said Isabelle, a little animation entering into her voice. “You know you have to ask faeries the exact right things to get useful information out of them, Alec. They’re very hard to question, even if they do have to tell the truth. A favor, though, is different.”

“And its potential for danger is literally unlimited,” said Alec. “If Jace knew I let Clary go to the Seelie Queen, he’d—”

“I don’t care,” Clary said. “He’d do it for me. Tell me he wouldn’t. If I were missing—”

“He’d burn the whole world down till he could dig you out of the ashes. I know,” Alec said, sounding exhausted. “Hell, you think I don’t want to burn down the world right now? I’m just trying to be…”

“An older brother,” said Isabelle. “I get it.”

Alec looked as if he were fighting for control. “If something happened to you, Isabelle—after Max, and Jace—”

Izzy got to her feet, went across the room, and put her arms around Alec. Their dark hair, precisely the same color, mixed together as Isabelle whispered something into her brother’s ear; Clary watched them with not a little envy. She had always wanted a brother. And she had one now. Sebastian. It was like always wanting a puppy for a pet and being handed a hellhound instead. She watched as Alec tugged his sister’s hair affectionately, nodded, and released her. “We should all go,” he said. “But I have to tell Magnus, at least, what we’re doing. It wouldn’t be fair not to.”

“Do you want to use my phone?” Isabelle asked, offering the battered pink object to him.

Alec shook his head. “He’s waiting downstairs with the others. You’ll have to give Luke some kind of excuse too, Clary. I’m sure he’s expecting you to go home with him. And he says your mother’s been pretty sick about this whole thing.”

“She blames herself for Sebastian’s existence.” Clary got to her feet. “Even though she thought he was dead all those years.”

“It’s not her fault.” Isabelle pulled her golden whip down from where it hung on the wall and wrapped it around her wrist so that it looked like a ladder of shining bracelets. “No one blames her.”

“That never matters,” said Alec. “Not when you blame yourself.”

In silence, the three of them made their way through the corridors of the Institute, oddly crowded now with other Shadowhunters, some of whom were part of the special commissions that had been sent out from Idris to deal with the situation. None of them really looked at Isabelle, Alec, or Clary with much curiosity. Initially Clary had felt so much as if she were being stared at—and had heard the whispered words “Valentine’s daughter” so many times—that she’d started to dread coming to the Institute, but she’d stood up in front of the Council enough times now that the novelty had worn off.

They took the elevator downstairs; the nave of the Institute was brightly lit with witchlight as well as the usual tapers and was filled with Council members and their families. Luke and Magnus were sitting in a pew, talking to each other; beside Luke was a tall, blue-eyed woman who looked just like him. She had curled her hair and dyed the gray brown, but Clary still recognized her—Luke’s sister, Amatis.

Magnus got up at the sight of Alec and came over to talk to him; Izzy appeared to recognize someone else across the pews and darted away in her usual manner, without pausing to say where she was going. Clary went to greet Luke and Amatis; both of them looked tired, and Amatis was patting Luke’s shoulder sympathetically. Luke rose to his feet and hugged Clary when he saw her. Amatis congratulated Clary on being cleared by the Council, and she nodded; she felt only half-there, most of her numb and the rest of her responding on autopilot.

She could see Magnus and Alec out of the corner of her eye. They were talking, Alec leaning in close to Magnus, the way couples often seemed to curve into each other when they spoke, in their own contained universe. She was happy to see them happy, but it hurt, too. She wondered if she would ever have that again, or ever even want it again. She remembered Jace’s voice: I don’t even want to want anyone but you.

“Earth to Clary,” said Luke. “Do you want to head home? Your mother is dying to see you, and she’d love to catch up with Amatis before she goes back to Idris tomorrow. I thought we could have dinner. You pick the restaurant.” He was trying to hide the concern in his voice, but Clary could hear it. She hadn’t been eating much lately, and her clothes had started to hang more loosely on her frame.

“I don’t really feel like celebrating,” she said. “Not with the Council de-prioritizing the search for Jace.”

“Clary, it doesn’t mean they’re going to stop,” said Luke.

“I know. It’s just—It’s like when they say a search and rescue mission is now a search for bodies. That’s what it sounds like.” She swallowed. “Anyway, I was thinking of going to Taki’s for dinner with Isabelle and Alec,” she said. “Just… to do something normal.”

Amatis squinted toward the door. “It’s raining pretty hard out there.”

Clary felt her lips stretch into a smile. She wondered if it looked as false as it felt. “I won’t melt.”

Luke folded some money into her hand, clearly relieved she was doing something as normal as going out with friends. “Just promise to eat something.”

“Okay.” Through the twinge of guilt, she managed a real half smile in his direction before she turned away.



Magnus and Alec were no longer where they had been a moment ago. Glancing around, Clary saw Izzy’s familiar long black hair through the crowd. She was standing by the Institute’s large double doors, talking to someone Clary couldn’t see. Clary headed toward Isabelle; as she drew closer, she recognized one of the group, with a slight shock of surprise, as Aline Penhallow. Her glossy black hair had been cut stylishly just above her shoulders. Standing next to Aline was a slim girl with pale white-gold hair that curled in ringlets; it was drawn back from her face, showing that the tips of her ears were slightly pointed. She wore Council robes, and as Clary came closer she saw that the girl’s eyes were a brilliant and unusual blue-green, a color that made Clary’s fingers yearn for her Prismacolor pencils for the first time in two weeks.

“It must be weird, with your mother being the new Consul,” Isabelle was saying to Aline as Clary joined them. “Not that Jia isn’t much better than—Hey, Clary. Aline, you remember Clary.”

The two girls exchanged nods. Clary had once walked in on Aline kissing Jace. It had been awful at the time, but the memory held no sting now. She’d be relieved to walk in on Jace kissing someone else at this point. At least it would mean he was alive.

“And this is Aline’s girlfriend, Helen Blackthorn.” Isabelle said with heavy emphasis. Clary shot her a glare. Did Isabelle think she was an idiot? Besides, she remembered Aline telling her that she’d kissed Jace only as an experiment to see if any guy were her type. Apparently the answer had been no. “Helen’s family runs the Los Angeles Institute. Helen, this is Clary Fray.”

“Valentine’s daughter,” Helen said. She looked surprised and a little impressed.

Clary winced. “I try not to think about that too much.”

“Sorry. I can see why you wouldn’t.” Helen flushed. Her skin was very pale, with a slight sheen to it, like a pearl. “I voted for the Council to keep prioritizing the search for Jace, by the way. I’m sorry we were overruled.”

“Thanks.” Not wanting to talk about it, Clary turned to Aline. “Congratulations on your mother being made Consul. That must be pretty exciting.”

Aline shrugged. “She’s busy a lot more now.” She turned to Isabelle. “Did you know your dad put his name in for the Inquisitor position?”

Clary felt Isabelle freeze beside her. “No. No, I didn’t know that.”

“I was surprised,” Aline added. “I thought he was pretty committed to running the Institute here—” She broke off, looking past Clary. “Helen, I think your brother is trying to make the world’s biggest puddle of melted wax over there. You might want to stop him.”

Helen blew out an exasperated breath, muttered something about twelve-year-old boys, and vanished into the crowd just as Alec pushed his way forward. He greeted Aline with a hug—Clary forgot, sometimes, that the Penhallows and the Lightwoods had known each other for years—and looked at Helen in the crowd. “Is that your girlfriend?”

Aline nodded. “Helen Blackthorn.”

“I heard there’s some faerie blood in that family,” said Alec.

Ah, Clary thought. That explained the pointed ears. Nephilim blood was dominant, and the child of a faerie and a Shadowhunter would be a Shadowhunter as well, but sometimes the faerie blood could express itself in odd ways, even generations down the line.

“A little,” said Aline. “Look, I wanted to thank you, Alec.”

Alec looked bewildered. “What for?’

“What you did in the Hall of Accords,” Aline said. “Kissing Magnus like that. It gave me the push I needed to tell my parents… to come out to them. And if I hadn’t done that, I don’t think, when I met Helen, I would have had the nerve to say anything.”

“Oh.” Alec looked startled, as if he’d never considered what impact his actions might have had on anyone outside his immediate family. “And your parents—were they good about it?”

Aline rolled her eyes. “They’re sort of ignoring it, like it might go away if they don’t talk about it.” Clary remembered what Isabelle had said about the Clave’s attitude toward its gay members. If it happens, you don’t talk about it. “But it could be worse.”

“It could definitely be worse,” said Alec, and there was a grim edge to his voice that made Clary look at him sharply.

Aline’s face melted into a look of sympathy. “I’m sorry,” she said. “If your parents aren’t—”

“They’re fine with it,” Isabelle said, a little too sharply.

“Well, either way. I shouldn’t have said anything right now. Not with Jace missing. You must all be so worried.” She took a deep breath. “I know people have probably said all sorts of stupid things to you about him. The way they do when they don’t really know what to say. I just—I wanted to tell you something.” She ducked away from a passer-by with impatience and moved closer to the Lightwoods and Clary, lowering her voice. “Alec, Izzy—I remember once when you guys came to see us in Idris. I was thirteen and Jace was—I think he was twelve. He wanted to see Brocelind Forest, so we borrowed some horses and rode there one day. Of course, we got lost. Brocelind’s impenetrable. It got darker and the woods got thicker and I was terrified. I thought we’d die there. But Jace was never scared. He was never anything but sure we’d find our way out. It took hours, but he did it. He got us out of there. I was so grateful but he just looked at me like I was crazy. Like of course he’d get us out. Failing wasn’t an option. I’m just saying—he’ll find his way back to you. I know it.”

Clary had rarely ever seen Izzy cry, and she was clearly trying not to now. Her eyes were suspiciously wide and shining. Alec was looking at his shoes. Clary felt a wellspring of misery wanting to leap up inside her but forced it down; she couldn’t think about Jace when he was twelve, couldn’t think about him lost in the darkness, or she’d think about him now, lost somewhere, trapped somewhere, needing her help, expecting her to come, and she’d break. “Aline,” she said, seeing that neither Isabelle nor Alec could speak. “Thank you.”

Aline flashed a shy smile. “I mean it.”

“Aline!” It was Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same shocking blue-green eyes as his sister, though his hair was dark brown. “We’re back. We should probably go before Jules destroys the whole place. Not to mention that I have no idea where Ty and Livvy have gone.”

“They were eating wax,” the boy—Jules—supplied helpfully.

“Oh, God,” Helen groaned, and then looked apologetic. “Never mind me. I’ve got six younger brothers and sisters. It’s always a zoo.”

Jules looked from Alec to Isabelle and then at Clary. “How many brothers and sisters have you got?” he asked.

Helen paled. Isabelle said, in a remarkably steady voice, “There are three of us.”

Jules’s eyes stayed on Clary. “You don’t look alike.”

“I’m not related to them,” Clary said. “I don’t have any brothers or sisters.”

“None?” Disbelief registered in the boy’s tone, as if she’d told him she had webbed feet. “Is that why you look so sad?”

Clary thought of Sebastian, with his ice-white hair and black eyes. If only, she thought. If only I didn’t have a brother, none of this would have happened. A little throb of hatred went through her, warming her icy blood. “Yes,” she said softly. “That’s why I’m sad.”

Most helpful customer reviews

3 of 3 people found the following review helpful.
This Series Keeps Getting Better and Better
By Teisha @ Girl Writes Reviews
I have been reading The Mortal Instruments series for about a year now, and although the first two books of the series left something to be desired, I persevered. I am happy to say that I was greatly rewarded because Cassandra Clare's books just keep getting better and better. As the plot thickens, I have become deeply invested in her characters and their fates.

Here are the four reasons why I gave The Mortal Instruments: City of Lost Souls 4 out of 5 stars:

★ COVER ART
I don't usually give stars for a book's cover, because the outside of a book does not necessarily allude to what exists on the inside. A plain cover may hold the most intricately written, thought-provoking story. And, an elegantly designed cover may contain a dull, one-dimensional story.

We've all heard this stated a lot simpler: Never judge a book by its cover.

Well, I am throwing that idea out of the window today because this is a book cover that I would frame and put on my wall; it's just so damn beautiful.

All of the covers in Clare's Mortal Instruments series are remarkably stunning, but this cover is, without a doubt, my absolute favorite. There is just something about Clary and Jace's loving embrace, and not to mention the models who are the perfect embodiment of those two characters.

★ PLOT
In City of Lost Souls, Jace has been bound to his evil adoptive brother Sebastian. Clary, Isabelle, Alec, Simon and Magnus must figure out how to unbind Jace from Sebastian, among other things. I really liked the plot of Book Five. It allowed readers to venture outside of New York with the characters, and to see a different side of Sebastian--a side that really loves Clary (or at least what he considers love).

Action, humor, romance, adventure: City of Lost Souls has it all.

★ CHARACTER DEVELOPMENT
I like reading about Jace and Clary, but I have to admit that their relationship is beginning to fall on the back burner for me as new, more dynamic characters emerge. Magnus & Alec, Isabelle & Simon, Maia & Jordan, and even Sebastian (who has no pairing) are getting more spotlight. And, this is Clare's greatest move. We are seeing how love is changing these people. Even Sebastian. He seems to be lonely and in need of companionship or love, and it makes you sympathize with him throughout this book. In my opinion, Clary and Jace haven't really reached the peaks of their development arcs yet. However, we do see Clary display some of her new fighting skills in this book.

★ BREAKS BOUNDARIES
Cassandra Clare is not afraid to journey across untread waters with her stories.

I love the way she writes about sexuality. When you are reading her stories, you're not thinking "Oh, yeah, Alec and Magnus are gay. Helen and Aline are gay." When you read Clare's works, you simply see these characters as people who are in love. Her writing is very poetic and lyrical, and it really speaks to emotions, emotions that help you to forget about gender, race, and stereotypes. In this way, Clare's writing literally breaks boundaries for me, because in the world she creates there are no boundaries, just love.

Clare also touches on another topic that you don't often see in YA books--incest. This theme recurs in her stories. We see it first in City of Ashes in the case of Jace & Clary being in love even after finding out that they are brother and sister. And then it returns in City of Glass, when Clary meets Sebastian. But, things get really uncomfortable with City of Lost Souls and City of Heavenly Fire.

The subject of incest is disagreeable, but I admit that it is well written and it fits into Clare's overall story. She is trying to evoke specific emotions from her readers when she writes on this topic--disgust, confusion, empathy--and she succeeds in doing so.

☆ LENGTH
The Mortal Instruments books are generally pretty long. But, sometimes they can be too long as is the case with City of Lost Souls.

The length of this book gives way to repetition; I felt that some of the same things were being said over and over, some of the same points were being re-re-emphasized. I also thought that the length created a lack of action and plot projection.

So, all in all, this book just seemed unnecessarily drawn out.

***

Overall, I thoroughly enjoyed City of Lost Souls. It's definitely not my favorite of the series, but I would not say it's my least favorite either. I highly recommend this series to everyone. Before this series, I thought I hated fantasy but, as it turns out, I was wrong. You guys should give it a try and see how you like it!

Clare has created a very complex world of Shadowhunters, vampires, werewolves, faeries, etc. Rarely do we see an author handle so much subject matter effectively--Cassandra Clare does so with grace.

1 of 1 people found the following review helpful.
I actually enjoyed rooting for Sebastian's cause ...better villan
By Lizzie girl
In the first four books, I thought Cassandra Clare had developed some wonderful younger characters...(of course Jace) as well as a bevy of other memorable teen boys. (The girls are a weaker group). And is the case in most YA books, the adults are utterly disposable...(which is a shame because technically teens are trying to enter their world...but hey....the fact that they are disposable gives adult readers a world to truely escape to.) But most disappointing in the first four books were the weak villains. I found the villains contrite, predictable and just plain ...well....black. I get it...teen minds.... black and white worlds... yadda yadda yadda.....

But in this book, I found (spoiler alert) the development of the villain (Sebastian) more complex, and far more interesting. I actually found the lure of his and Jace's world, with the addition of Clary, dangerously exciting and kind of intoxicating. Why should I villain be one dimensional? Why wouldn't he freely consort in a land of gray and thereby make Clary's and Jace's view of the world ...well....better rounded? Of course, the promise of this particular ( and most adult) fantasy of mine was eventually dashed by the proverbial battle of black and white, but nonetheless it presented itself as a possibility for a good chunk of the book, and for this reason I give this a 4 star review.

My happily ever after would involve some strange, somewhat dark world, where twenty something versions of Jace, Sebastian and Clary would be vaguely "bad" and cause a good deal of mischief for others, (but mostly themselves)...with a lot of messiness and moral ambiguity....but crap...thats the plot of Breaking Bad....

and I will go back to my adult pleasures.

1 of 1 people found the following review helpful.
unnecessarily, reminded of every second page
By Nico Vela
It took me an awfully long time to read this book. Part of it was school and work. Though I couldn't get through a lot of this book due to the emphasis on the romance between Jace and Clary, which we were, unnecessarily, reminded of every second page.

The upcoming war is, in my humble opinion, better material than their romance and obvious feelings, but I digress. I still find some of the romantic writing to be some of the best.

I have no idea how long it'll take to read Book 6, but I'm ready to tackle it.

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Selasa, 15 Februari 2011

[O920.Ebook] Fee Download Unflattening, by Nick Sousanis

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Unflattening, by Nick Sousanis

The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.

Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.

In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.

  • Sales Rank: #12026 in Books
  • Brand: Sousanis, Nick
  • Published on: 2015-04-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.20" h x 1.00" w x 7.50" l, .0 pounds
  • Binding: Paperback
  • 208 pages

Review
Ranging across a wide range of disciplines―the arts, the sciences, popular culture, critical theory―Sousanis argues that the verbal and the visual are inextricably entwined in the production of knowledge… It is a book that is dense with the syntheses of ideas, nimble, far-reaching and impossible to summarize. It liberates itself from the standard layout of panels within frames, teaching the eye and mind to read the unfailingly intelligent black-and-white artwork in unconventional and new ways. Unflattening deserves a place as a compulsory textbook in schools. (Neel Mukherjee New Statesman 2015-10-02)

Although the implications are profound, Unflattening is less an insurrection than a carefully argued case for rethinking our priorities about art and learning. Unflattening is above all a humane piece of scholarship which challenges our assumptions about perception. (Matt Finch Brooklyn Rail 2015-05-06)

If you prefer your mind-melt, dimension-bending comics with less costumes and melodrama, Nick Sousanis’ cerebral exploration of psychology and perspective offers a refreshing palate cleanser… Presented with a visual vocabulary that will blow readers minds in the most scholarly way possible. (Sean Edgar Paste 2015-07-08)

Sousanis’s drawings are first rate and his writing style economical. To demonstrate how introducing new vantage points expands our thinking, he explores a range of philosophical concepts, calling on Plato, Copernicus, and even the ‘fifth dimension’ explored in the TV series The Twilight Zone. (Jan Gardner Boston Globe 2015-05-24)

Nick Sousanis’s Unflattening is a genuine oddity, a philosophical treatise in comics form. ‘Flatness,’ for Sousanis’s purposes, is not the quality of abstraction that Clement Greenberg lauded in modern art, but the lamentable condition of the inhabitants of Edwin A. Abbott’s ‘Flatland’: the inability to understand that there might be more than one can immediately perceive. The solution he proposes is admitting visual elements, and especially drawings, into the intellectual domain of language. (Psst--he’s talking about comics!) (Douglas Wolk New York Times Book Review 2015-05-29)

If Scott McCloud’s Understanding Comics charmingly investigated the history, development, and formal features of visual narrative, Unflattening is its equally brilliant epistemological counterpart. With profound depth and insight, Sousanis looks at how the ‘unflattening’ possibilities of this form of storytelling allow us to see the world from entirely new perspectives… Written with remarkable clarity and insight, its sometimes-haunting, sometimes-breathtaking illustrations prove the book’s arguments about how visual information can shape our understanding… Weaving together language, perception, and the theory of knowledge in an investigation of how the multidimensional possibilities of graphic storytelling can awaken us to ways of knowing from multiple perspectives, Sousanis has made a profound contribution to the field of comics studies and to semiotics, epistemology, and the burgeoning study of visible thinking. Essential reading for anyone seeking to create, critique, or consider the visual narrative form. (Publishers Weekly (starred review) 2015-03-16)

An important book, Unflattening is consistently innovative, using abstraction alongside realism, using framing and the (dis)organization of the page to represent different modes of thought. The words and images speak for themselves and succeed on their own terms. I couldn’t stop reading it. (Henry Jenkins, author of Spreadable Media: Creating Value and Meaning in a Networked Society)

Nick Sousanis’s Unflattening is a complex, beautiful, delirious meditation on just about everything under the sun; a unique and bracing read. (Scott McCloud, author of Understanding Comics and Making Comics)

An incisive meditation on the relationship between text and images. (David Dabscheck New York Observer 2015-10-29)

Entirely non-narrative, the book takes on the dichotomy between words and images in Western thought and argues that both are simultaneously involved in the production of meaning. Executed in sharp black-and-white diagrams, and abstract and geometric images, this scintillatingly intelligent book succeeds in the great feat of holding the reader’s attention not through a story but through ideas. Sousanis’s own book is the perfect illustration of the inextricability of the verbal and the visual. (Neel Mukherjee The Independent 2015-11-28)

Unflattening will no doubt become an essential teaching tool for helping students--especially undergraduates--think about comics, graphic novels, and other media in which words and images combine…The book is potentially revolutionary…This is a book that wants to teach, a book that will be talked about and belongs in any forward-looking library. (R. J. Baumann Choice 2015-10-01)

[This] will alter your perceptions, of comics, of art, of how to see and process your world and your ideas. Sousanis is relentlessly innovative in his solutions to picturing his concepts and in the process provides irrefutable proof of the efficacy of the medium to explain engagingly and memorably…It also uses two dimensional words and images to encourage us to broaden our horizons and deepen our understanding, in other words to perceive in multiple dimensions. And yes, reading comics re-wires your mind. (Paul Gravett paulgravett.com 2016-01-01)

Unflattening is Nick Sousanis’s meditation on the nature of learning and visual communication… At a time when graphic literature has become widely accepted as a medium for fiction and memoir, Unflattening breaks new ground in the use of visual narrative for the expression of abstract ideas. Beautifully drawn and brilliantly conceived, Unflattening is an instant classic. (Rob Salkowitz Forbes 2015-12-21)

Sousanis’ investigation into the connection between word and image could not have been presented in any other way…[He]presents a philosophical and reference heavy treatise in a compelling and accessible manner. (Don O’Mahony Irish Examiner 2015-12-30)

Frankly, genius. (Zachary Petit Print 2015-12-07)

Sousanis has achieved something powerful―a book that goes beyond just saying a thesis to actually showing one. (Stephen Asma Los Angeles Review of Books 2016-05-06)

About the Author
Nick Sousanis is Assistant Professor of Humanities and Liberal Studies at San Francisco State University.

Most helpful customer reviews

18 of 20 people found the following review helpful.
book art challenges academic publishing
By tom abeles
This is one of the few academic thesis to be accepted as a graphic which makes it worthy of serious consideration not only for the work itself but the challenge that it offers for a rather prosaic and conservative process for recognizing scholarship. The drawings are dense and one wonders whether the publisher understands book art (not art books) in its choice of how to publish the material or whether there will be an edition produced more in line with book art publishing. 5 stars for the author tempered by the choice of how to publish this work.

8 of 8 people found the following review helpful.
These words are insufficient: Genius + Beauty + Knowledge + Ideas + Art.
By Chris Weekly
Unflattening is a dissertation, in graphic novel form, about the relationship between text and images. Words fail me in describing it, but here are a few: beautiful; awe-inspiring; original; creative; thought-provoking; fascinating; profound; genius.... it has to be the most stimulating book I've encountered in a long time.

He simultaneously demonstrates the principles and ideas he explores, playfully and brilliantly combining and interweaving linear text with stunning artwork.

I've recommended it to many friends, and look forward to a hardcover edition I can keep for the long-haul.

9 of 10 people found the following review helpful.
Rethinking thinking in the 21st Century
By Amit Ray
Unflattening is a breakthrough work, taking the art of comics and elevating it to new heights. Sousanis integrates a range of different fields, from history and philosophy, to physics and social psychology, to address new and important ways of thinking about thinking. At the center of it all is an advocacy for drawing as a form of cognition vital to honing our twenty-first century literacies. This is a masterwork. If I could afford it, I would give a copy to everyone I know. (And I've already dispensed several.) Buy this book. You will find yourself reading it again and again.

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Senin, 14 Februari 2011

[M918.Ebook] Fee Download A History of the Israeli Army: 1874 to the Present- Israel's Foremost Military Expert Tells the Story of The Worlds Best Citizen ArmyBy

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A History of the Israeli Army: 1874 to the Present- Israel's Foremost Military Expert Tells the Story of The Worlds Best Citizen ArmyBy

  • Sales Rank: #3009374 in Books
  • Published on: 1985
  • Number of items: 1
  • Binding: Hardcover
  • 274 pages

From Publishers Weekly
Schiff's revised version of his 1974 history of the Israeli Army includes additional chapters on Israeli's military intelligence services, its war against terrorism and the 1982 foray into Lebanon. There are two principal themes here: the performance of the army in Israel's wars and the relationship between the military and the government. Schiff is unsparing in his account of the bitter controversy over the politicization of the army, starting with the so-called War of the Generals, in which the role of Ariel Sharon is brought into clear focus. The author also writes frankly about the rift caused in Israeli society by "Operation Peace for Galilee" in 1982 and the loss of the army's prestige that resulted from that invasion. Photos. B'nai B'rith Book Club alternate. February 11
Copyright 1986 Reed Business Information, Inc.

Language Notes
Text: English, Hebrew (translation)

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very readable overview
By Philip D. Parshall
This book is a short but very readable overview of not only the history of the IDF but also the history of modern Israel. Since the birth and development of the modern country of Israel is closely related to the military, by reading this book you get a good handle on the main aspects of how the country evolved from the kibbutzim and Aliyahs to the Yom Kippur War. Good book. I liked the earlier edition that had lots of pictures, maps and graphs but this newer edition has all the written information.

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Minggu, 13 Februari 2011

[F275.Ebook] PDF Download Selected Poems (Penguin Classics), by John Dryden, Steven N. Zwicker, David Bywaters

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Selected Poems (Penguin Classics), by John Dryden, Steven N. Zwicker, David Bywaters

A new and comprehensive selection of Dryden's poetry, revealing him as a master of theatricality, ventriloquism, and unmistakable originality.

In his lifetime,�John Dryden�gained fame at the cost first of gossip and scandal and then of suspicion and scorn. He wrote to order, currying favor with the Crown and repeatedly savaging its enemies. Yet the finest works of his political and spiritual imagination- "Absalom and Achitophel" and "The Hind and the Panther"-develop the themes of envy, ambition, and misdeed in ways that far transcend their era. During the Glorious Revolution, Dryden fell from patronage and favor: he then transformed himself into perhaps the greatest of English translators, a superb interpreter of Virgil and Horace, Juvenal and Persius, Boccaccio and Chaucer.�This edition contains a preface and annotations accompanying each poem, modernized spelling and punctuation, and an informative introduction and chronology.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #935198 in Books
  • Color: Multicolor
  • Published on: 2002-03-26
  • Released on: 2002-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x 1.30" w x 5.10" l, .81 pounds
  • Binding: Paperback
  • 608 pages

About the Author
Most of John Dryden's (1631-1700) early work was for the theatre. He wrote romantic comedies, adaptations and tragi-comedies including 'Marriage �-la-Mode'. He was Poet Laureate from 1668 to 1688 during which time he wrote his most celebrated satires and criticism. In his later years, he turned to translation.

Steven N. Zwicker & David Bywaters have edited this volume. Zwicker teaches English at Washington University and is author of 'The Cambridge Companion to English Literature 1650-1740'.

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0 of 0 people found the following review helpful.
Five Stars
By Chris Booth
A good selection of Dryden's work.

9 of 25 people found the following review helpful.
Kindle version only
By Oed
This particular item does not work on the kindle device. The pages turn very slowly, and sometimes the file freezes up the kindle altogether. I complained to amazon about this issue, but the publisher, or amazon, (I'm not sue who is responsible for producing the kindle version), have failed to respond (although amazon accepted my return). Even if the issues I have mentioned were solved...the kindle version would still be poor: the formatting is awkward and there are no links for any of the (extensive) footnotes.

PS: The book itself i like, in terms of content. I also have an iPad, and on that device none of the errors I mentioned are noticeable, even the formatting of the text appears ok on my iPad's kindle app. So if you use the iPad, or perhaps another device, as your reader, the book may be ok for you (although the footnotes still will have no links, which is incredibly inconvenient).

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